Bach Bibliography Search Result

Series : ^StudMcol$
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Gustafson, Bruce	French harpsichord music of the 17th century. A thematic catalog of the sources with commentary. Ann Arbor, Mich.: UMI Research Press, 1984. 3 vols. ISBN: 0-8357-1069-6: (1) Commentary. xlv, 394p. ISBN: 083571066-1; (2) Catalog inventories 1-36. 488p. ISBN: 083571067-X; (3) Catalog inventories 37-68. 380p. ISBN: 083571068-8. (= Studies in musicology, 11)	StudMcol	11		1979	xlv, 394p
	2.	Berger, Karol	Theories of Chromatic and Enharmonic Music in late Sixteenth-Century Italy. Ann Arbor, Mich.: UMI Research Press, 1980. vii, 179p. ISBN: 0835710653. (= Studies in Musicology, 10)	StudMcol	10		1980	vii, 179p
	3.	Rivera, Benito V.	German Music Theory in the Early 17th Century: The Treatises of Johannes Lippius. Ann Arbor, Mich.: UMI Research Press, 1980. 265p. (= Studies in musicology, 17); Rochester,NY: University of Rochester, 1995. xii, 264p. ISBN: 1-878822-60-8. (= Studies in musicology, 17)	StudMcol	17		1980	265p
	4.	Stauffer, George Boyer	The Organ Preludes of Johann Sebastian Bach. [Zugl.: New York, Columbia Univ., Diss., 1978 u.d.T.: The free organ preludes of Johann Sebastian Bach] Ann Arbor, MI: University Microfilms International Research Press, 1980. xi, 261p. ISBN: 0-8357-1117-X (= Studies in musicology, 27)	StudMcol	27		1980	xi, 261p
	5.	Harriss, Ernest C.	Johann Mattheson's Der vollkommene Capellmeister [1739]: a revised translation with critical commentary. by Ernest C. Harriss. [A revision (1979) of the author's thesis, George Peabody College of Teachers, 1969] - Ann Arbor, Mich.: UMI Research Press, 1981. x, 920p. ISBN: 0-8357-1134-X. (= Studies in musicology, 21)	StudMcol	21		1981	920p
	6.	Hudson, Richard Albert	Passacaglio and ciaccona: from guitar music to Italian keyboard variations in the 17th century. [revised version of PhD diss., University of California, Los Angeles, 1967] Ann Arbor, Mich.: UMI Research Press, c1981. xi, 314p. ISBN: 0835711617. (= Studies in musicology, 37)	StudMcol	37		1981	xi, 314p
	7.	Hosler, Bellamy	Changing Aesthetic Views of Instrumental Music in Eighteenth-Century Germany. [PhD diss., University of Wisconsin, Madison, 1978] - Ann Arbor: UMI Research Press, 1981. xxiv, 295p. ISBN: 0-8357-1172-2. (= Studies in musicology, 42)	StudMcol	42		1981	xxiv, 295p
	8.	Wade, Rachel W.	The keyboard concertos of Carl Philipp Emanuel Bach. Ann Arbor, Mich.: UMI Research Press, 1981. xvii, 360p. ISBN: 0-8357-1207-9. (= Studies in musicology, 48)	StudMcol	48		1981	xvii, 360p
	9.	Samuel, Harold E.	The Cantata in Nuremberg during the seventeenth Century. Ann Arbor: UMI Research Press, 1982. xii, 536p. ISBN: 08357013059. (= Studies in musicology, 56)	StudMcol	56		1982	xii, 536p
	10.	Neumann, Frederick	The Use of Baroque Treatises on Musical Performance.	StudMcol	58		1982	1-9, 173-174
	11.	Neumann, Frederick	Donington's 'A Performer's Guide to Baroque Music' -- A Review.	StudMcol	58		1982	11-15, 274
	12.	Neumann, Frederick	The French 'Inégales', Quantz, and Bach.	StudMcol	58		1982	17-54, 274-285
	13.	Neumann, Frederick	An Answer to Donington's Critique.	StudMcol	58		1982	55-58
	14.	Neumann, Frederick	External Evidence and Uneven Notes.	StudMcol	58		1982	59-72, 285-288
	15.	Neumann, Frederick	The Dotted Note and the So-Called French Style (FN1)	StudMcol	58		1982	73-98, 288-289
	16.	Neumann, Frederick	Rhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2).	StudMcol	58		1982	99-110, 289-291
	17.	Neumann, Frederick	Facts and Fiction about Overdotting (FN3).	StudMcol	58		1982	111-135, 291-294
	18.	Neumann, Frederick	Once More: The 'French Overture Style' (FN4).	StudMcol	58		1982	137-150, 295
	19.	Neumann, Frederick	The Overdotting Syndrome: Anatomy of a Delusion (FN5).	StudMcol	58		1982	151-182, 296-300
	20.	Neumann, Frederick	Misconceptions About the French Trill in the 17th and 18th Centuries.	StudMcol	58		1982	183-196, 300-304
	21.	Neumann, Frederick	A New Look at Bach's Ornamentation.	StudMcol	58		1982	197-215, 304-305
	22.	Neumann, Frederick	Notes on 'Melodic' and 'Harmonic' Ornaments.	StudMcol	58		1982	217-225, 305-306
	23.	Neumann, Frederick	Couperin and the Downbeat Doctrine for Appoggiaturas.	StudMcol	58		1982	227-241, 306-309
	24.	Neumann, Frederick	Ornament and Structure.	StudMcol	58		1982	243-250, 309-310
	25.	Neumann, Frederick	Essays in Performance Practice. Ann Arbor: UMI Research Press; Epping: Bowker, 1982. xii, 321p. ISBN: 0835715108. (= Studies in Musicology, 58)	StudMcol	58		1982	xii, 321p
	26.	Grant, Kerry Scott	Dr. Burney as critic and historian of music. [based on PhD diss., Berkeley, Univ. of California, 1977] Ann Arbor, Mich.: UMI Research press, 1983. xiv, 381p. ISBN: 083571375X. (= Studies in musicology, 62)	StudMcol	62		1983	xiv, 381p
	27.	Steblin, Rita	A History of Key Characteristics in the 18th and early 19th centuries. Ann Arbor, MI: UMI Research Press, 1983. xii, 396p. ISBN: 0-13-694489-2. (= Studies in musicology, 67) - Reprint from University of Rochester Press, 1996. ISBN: 1-878822-62-4.	StudMcol	67		1983	xii, 396p
	28.	Schulenberg, David	The Instrumental Music of Carl Philipp Emanuel Bach. Ann Arbor, Mich.: UMI Research Press, 1984. viii, 192p. ISBN: 0-8357-1564-7. (= Studies in musicology, 77)	StudMcol	77		1984	192p
	29.	Herz, Gerhard	J. S. Bach's Impact on the World Around Him.	StudMcol	73		1985	1-18
	30.	Herz, Gerhard	Sebastian Bach's Survival in the Age of Rationalism.	StudMcol	73		1985	19-50
	31.	Herz, Gerhard	J. S. Bach and the Church Music of the Age of Rationalism: A Style-Critical Comparison of Bach's St. Matthew Passion and C. H. Graun's Tod Jesu.	StudMcol	73		1985	51-66
	32.	Herz, Gerhard	Johann Sebastian Bach in the Early Romantic Period.	StudMcol	73		1985	67-110
	33.	Herz, Gerhard	BWV 131: Bach's First Cantata (1970).	StudMcol	73		1985	127-148
	34.	Herz, Gerhard	Toward a New Image of Bach (1970/71).	StudMcol	73		1985	149-186
	35.	Herz, Gerhard	The Performance History of Bach's B Minor Mass (1973).	StudMcol	73		1985	187-204
	36.	Herz, Gerhard	Thoughts on the First Movement of Johann Sebastian Bach's Cantata No.77 (1974). [BWV 77/1]	StudMcol	73		1985	205-220
	37.	Herz, Gerhard	Lombard Rhythm in the Domine Deus of Bach's B Minor Mass (1974)	StudMcol	73		1985	221-229
	38.	Herz, Gerhard	Lombard Rhythm in Bach's Vocal Music (1978).	StudMcol	73		1985	233-268
	39.	Herz, Gerhard	Essays on J. S. Bach. [partially based on PhD diss., Zürich, Univ., 1934]. Ann Arbor, Mich.: UMI Research Press, 1985. xxxi, 276p. ISBN: 0-8357-1475-6. (= Studies in Musicology, 73)	StudMcol	73		1985	xxxi, 276p
	40.	Archbold, Lawrence	Style and Structure in the Praeludia of Dietrich Buxtehude. Ann Arbor, Mich.: UMI Research Press, 1985. vi, 349p. ISBN: 0-8357-1646-5. (= Studies in musicology, 82)	StudMcol	82		1985	vi, 349p
	41.	[Cox, Howard H.]	The Authentification of the Hand-Penned Material in Bach's Calov Bible.	StudMcol	92		1985	3-11
	42.	[Cox, Howard H.]	A Literary Analysis of the Intelligible Entries from the Total Sample.	StudMcol	92		1985	12-30
	43.	Kusko, Bruce	Proton Milloprobe Analysis of the Hand-Penned Annotations in Bach's Calov Bible.	StudMcol	92		1985	31-106
	44.	Cox, Howard H. (ed.)	The Calov Bible of J. S. Bach. Ann Arbor, Mich.: UMI Research Press, 1985. x, 460p. ISBN: 0-8357-1706-2. (= Studies in Musicology, 92)	StudMcol	92		1985	x, 460p
	45.	Buelow, George J. (ed.)	Thorough-Bass Accompaniment According to Johann David Heinichen. Revised edn. - Ann Arbor, Mich.: UMI Research Press, 1986. xvi, 462p. ISBN: 0-8357-1648-1. (= Studies in musicology, 84)	StudMcol	84		1986	xvi, 462p
	46.	Borgir, Tharald	The performance of the basso continuo in Italian Baroque music. [based on PhD diss., Berkeley, Univ. of California, Diss., 1971] Ann Arbor, Mich.: UMI Research Press, 1987. vi, 180p. ISBN: 0-8357-1675-9; 0-8357-1912-X. (= Studies in musicology, 90)	StudMcol	90		1987	180p
	47.	Neumann, Frederick	Some Controversial Aspects of the Authenticity School.	StudMcol	108		1989	17-31
	48.	Neumann, Frederick	The Rise of the Early Music Movement. Scholarly Interest; Sacred Music; Secular Songs and Dances; The Changing Attitude towards Old Music; The Striving for 'Authenticity'	StudMcol	108		1989	3-16
	49.	Neumann, Frederick	Conflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach.	StudMcol	108		1989	35-64
	50.	Neumann, Frederick	The 'Notes Inégales' Revisited.	StudMcol	108		1989	65-76
	51.	Neumann, Frederick	Graham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures.	StudMcol	108		1989	77-84
	52.	Neumann, Frederick	Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart.	StudMcol	108		1989	121-153
	53.	Neumann, Frederick	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria.	StudMcol	108		1989	195-208
	54.	Neumann, Frederick	Notes on the Violin Sonatas of Bach and Handel.	StudMcol	108		1989	221-225
	55.	Neumann, Frederick	New Essays on Performance Practice. Ann Arbor: UMI Research Press, 1989. x, 257p. ISBN: 0-8357-1951-0. (= Studies in musicology, 108); Rochester, NY: University of Rochester Press, 1992. x, 257p. ISBN: 1878822128; 1878822136.	StudMcol	108		1989	x, 257p